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Recent Titles for an artist's, teacher's, researchers, library

Above title: 2015 Bloomsbury and UPenn Press Publisher


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Paperclay for Ceramic Sculptors Handbook (2014)

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Innovation in Paperclay Ceramics, Gault Ph.D (2013)

Anyone pursuing academic degree involving paperclays will find extensive history, background and citation- of contribution and published research known prior to and after 1991.

Early Stage Research Water Report and Utube Info

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Explore Paperclay Art and Science continued

Art Studio Practice and Aesthetics: Amos (2010), Baker: Spray application of paperclay (1998); Canduran (2008); Caplan (1994); Coulter: Gregory (2008), Dickson 2002, Frisinger (2011); Farrow (1987); Fuzi (2002); Gartside (1993,1994), Gault (1992-2012), Griffith (with adobe) (1998); Giovannini (2005); Goldate (2003); Hay (1996, 1999, 2002, 2006, 2007, 2009, 2011); Hawes ( 1998); Hedberg: Origami Dipping (2009); Hopper and Rhodes (book excerpt) (2000), Imoto/Toppan: origami early research of paperclay sheets: letter to Gault (1972): Kaya (2007, 2009, 2011): Lane (1995); King (2001); Lawrence (1999); Lightwood, (1995, 1999, 2000 (book), 2008); Lyle (2001); Michaud (1999) Ozdemir (2006); O’Donavan (2008); Oliver (2008); Peterson (1995- 2012); Plas (1997): Nelson and Burkett book excerpt (2000); Resnick: murals and large scale (1995, 2007), Saccardo (2004); Scott (1994); Sigorla (2002); Silver (1995); Silverston (2010); Subrahamanian (2010) Tudball (2004); Turner (book excerpt) (2004);Wilson (2012), Vivas (2010)

Sustainable Materials Research: Gault (1991-1993, Porous Paperclay in Developing Regions 2011,2012); KIm (2004, book: 2006, 2011), pulp mill sludge reclaim and engineering applications: Ochola and Moo Young (1997), Find other research topics beyond the field of art at my incubator research site: www.paperclaylab.com.

Research and Materials Analysis of Paperclay: Carter (book section: 2007, 2012); Gault (1991, 1992-to present) Gault and Kingery displacement scale and micrographs (1992); Gault: US Patent 5,726,111 Paperclay A Process (1998); Gault (1991, 1992, 1993, 1994, 1996, 1998, 1999, 2003); Juvonen (1995); KIm (2004, 2006 book, 2011 book); Marsh (1995); Ocholo and Moo-Young (1997) Plater (2005); Soong and Ling, (1995).

Porcelain Paperclay and Translucency: Cimattii (2010); Goldate (2001, 2003); Harrison: Making of Banners (1998), Mellor ( bone china paperclay) (1999, 2000); Spencer-Cooke (1996) Stevens (2002),

Firing Paperclay: Hawes: extreme fire large scale outdoors (1998), Hole (1997), Gault (2003- extreme firing paperclay in open fire coals without a kiln, 2008, 2010), Campbell-Allen: Anagama wood fire paperclay (1997); Valmadre: Barbeque Clay (2009)

Print and Paperclay: Allen (2008); Smith, H (2001); Scott (1994); Spencer-Cooke (1996), Makela (1995); Guner (2007); Imre (2010)

Paperclay curriculum and pedagogy (selected): Dietrich, S. (2001) School Project: Storytelling and paperclay, Pottery in Australia, Gault (Rosette Gault video/dvd workshop (1996) and Think by Hand (book) (2004), Hay (1999, 2000)

Mixed Media combined with paperclays: Paperclay and Metals: Mau (1997); Aldibrand (2003), Acott (2005); Chen (2009)
Synthetic Fibers Mixed with Paperclay: Harrison (1998); Kingston and Carlin- “kerriflex” (2007) Paperclay with Cement, Baker combinations of paperclay and spray cement letter to Gault 2011), Hvasbo (letter to Gault 2011 about her research in progress inspired by Anja Margarethe Bache research (2010) Paperpulp added to with Gypsum and Plaster: Golley (2009)

Multi Media and Cultural Restoration: Museum Conservation and Restoration with Paperclay: Srinivisan, et. al. (2005), Plater (2005)
Digital Imagery with paperclay (in French): Odier (2010)

CAD-CAM Rapid Prototyping Industrial Design Adaptations for Artists Research: Thank you to L Del Harrow: teaches Digital Fabrication and Clay at Colorado State University, Fort Collins, CO, Brian Gillis resesarching direct milling plaster molds, contributed links to follow Del Harrow, David Celento, Dries Verbruggen (http://www.makerbot.com/blog/tag/dries-verbruggen/), Holly Hanessian (www.hollyhanessian.com/files/digital-future-studio-potter-journal.pdf), Matt Kennedy http://www.kickstarter.com/projects/portrhombus/digital-ceramics-production) and Bryan Czibesz. Neil Forrest from Nova Scotia College of Art and Design, Halifax, Canada link to www.shapeways.com. Paperclay research in this field is at present (2015) developing as the orifice to extrude a ribbon of paperclay slip instead of polymer is being refined. As it is, the non-linear approach offered by paperclay for design adaptation is still very new to most researchers trained in legacy ceramic ideaology. Nevertheless this is an area where I expect much innovation in future. (RG note)